DAILY NEWS:
CITY LIGHTS Sep 24 1989.
By David Browne
SOUND + VISION (Rykodisc) True to its subject, "Sound + Vision" is
one calculated mamajama. Beyond its appeal as an ideal under-the-tree gift,
this boxed set of David Bowie's 1969-80 work also serves to promote Rykodisc's
forthcoming CD reissue of Bowie RCA LPs. How else can one explain the omission
of hits like "Fame" and
"Golden Years" in favor
of three tracks from 1974's mediocre "David Live"?
....But if the label
wanted to draw attention to its Bowie undertaking, it couldn't have picked
a better way than this 46-song set (available in all three formats tomorrow).
It opens with Bowie strumming away on his guitar in 1969, playing an early
version of "Space Oddity."
It ends, 11 years and many guises later, with that song's belated sequel,
"Ashes To Ashes," by which
time he epitomized chic hipness in rock.
....Much like Dylan's
"Biography" boxed set, "Vision" collects newly remixed
album tracks, live recordings and assorted curios like "Heroes"
sung in German and an overproduced and truly bizarre 1975 rendition of Springsteen's
"It's Hard To Be A Saint In
The City."
....Unlike the Dylan
set, though, it's chronological, making it easy to trace Bowie from ingenue
singer/song-writer through glitter-rock king/queen, soul brother No.10 and
Eurotrash celebrator. Even for those who remain suspicious of the man's
history of media manipulation, it's a fascinating trip through rock 'n'
roll self-mythology. (It's also an expensive one: $59.98 on CD, $44.98 on
cassette and $69.98 on LPs.)
....Not all of these
phases have held up well, though. His "Ziggy Stardust"-era work
sounds tinny, and the "Young Americans" material remains little
more than Styrofoam soul. Yet of his early work, there's enough here - from
the jagged "The Man Who Sold The World" to the John Lennon influence
of the unreleased "London Bye Ta-Ta"
- to make you forget his wretched version of Chuck Berry's "Round And Round."
....If this set indices
any nostalgia, it's on the final third of the collection. Bowie's 1976-80
collaborations with Brian Eno and Robert Fripp, from "Low"
through "Scary Monsters" was
arguably his creative peak.
....In 1989, that
Bowie is gone, replaced by a benign showbiz celebrity whose attempts to
"shock" are tepid at best. Hearing "Be
My Wife" "Boys Keep Swinging"
or the roaring eight-minute live version of "Station
To Station" again, though, serves as a welcomed reminder that Bowie
once offered as music as message.
Rating: *** |